Isabelle Huppert

Lisa Kreuzer

Lolita Chammah

Haymon Maria Buttinger

A female writer and her relationships with two different men, one joyous and one introverted.

Malina

Malina (1991)

Robin Abonia

Robín Abonía

María Eugenia Arboleda

Estefania Borge

Elias is a successful physician and a family man. He's Francisco's father, who's about to turn thirteen. Both father and son start having nightmares which evoke their birthplace, Saudó, a grim town built upon the pain and sorrow of the many slaves that ran away and whose foundations were riddled with superstitions, fear, magic and witchcraft, turning this town into a cursed place where those who enter, will never get out.—Jaime Rebolledo

Saudó, laberinto de almas

Saudó, laberinto de almas (2016)

Devon Werkheiser

Elizabeth Stanton

Anna Maria Perez de Tagle

Holly Wingler

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Popstar's Best of 2020

Popstar's Best of 2020 (2020)

Antonella Antinori

Anna Maria Rizzoli

Catullo Scuderoni

Mario Cutini

A reporter and his girlfriend investigate the deaths surrounding a motel where several prominent people go to have sex. The motel has a special room designed for sexual activities. Someone photographs the sex acts and then extorts the parties concerned. One day, a mysterious killer with black gloves shows up and the situation changes.—Play Motel

Play Motel

Play Motel (1979)

Susan Anspach

Stevan Larner

Audrey Heningham

Maria Zeheri

Filmmaker William Greaves is shooting a series of screen tests in New York City's Central Park for the two leads of a feature length movie, with the working title of "Over the Cliff". Simultaneously, he has a documentary filmmaking crew filming the behind the scenes making of the movie. In addition to seeing these two sets of footage (the film and the film of the film), the viewer also sees footage of a third film crew filming the these two in relation to what is happening overall as they film in the park while real life goes on around them, which in Bill's mind is part of the realism of the movie. "Over the Cliff" itself has no plot and no full script but only a working concept of sexuality being the movie's theme and snippets of scripted dialogue. This unstructured approach is to give the movie a sense of realism. The actors imply as much, but many of the crew, discussing in Grieves-less bullpen sessions, believe Greaves is unfocused and inept at what he is doing, while a minority believe his experimental process will yield a special and great end product.—Huggo

Symbiopsychotaxiplasm: Take One

Symbiopsychotaxiplasm: Take One (1968)

Anders Nyqvist

Benedikt Leitner

Maria Grün

Johannes Kubitschek

Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna's vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question - the blind spot that resides in all of us.—Film Institut

Tomcat

Tomcat (2016)

Margarete Tiesel

Maria Hofstätter

Inge Maux

Peter Kazungu

On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a fifty-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one beach boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya, love is a business.—Strand Releasing

Paradise: Love

Paradise: Love (2012)

Carme Elias

Viviane Vives

Montserrat Prous

Josep Maria Pou

A female professor, a writer, and an orchestra conductor -three characters, two couples- attend a grand literary cocktail party. The writer has just won the prize for his book "Warsaw Bridge". The winner answers the journalist's questions one after another, but he is unable to come up with a synthesis of the plot of his book. They will simply have to read it.—Anonymous

Warsaw Bridge

Warsaw Bridge (1990)

Mads Mikkelsen

Maria Bonnevie

Bill Clinton

Lars Ranthe

There is a theory that man is born with half a per mille too little, that alcohol in the blood opens the mind to the outside world, problems seem smaller, and creativity increases. We know it well: after the first glass of wine, the conversation lifts, the possibilities open up. Martin (Mads Mikkelsen) is a high-school teacher who feels old and tired. His students and their parents want him terminated to increase their average. Encouraged by the per mille theory, Martin and his three colleagues throw themselves into an experiment to maintain a constant alcohol impact in everyday life. If Churchill won World War II in a dense fog of spirits, what could the strong drops do for them and their students? The result is positive in the beginning. Martin's class is in a different way now, and the project is being promoted to a real academic study with the collection of results. Slowly but surely, the alcohol makes the four friends and their surroundings loosen up. The results are rising, and they really begin to feel life. As the objects go inboard, the experiment progresses for some and goes off track for others. It becomes clearer and clearer that alcohol can generate great results in world history, but that all daring can also have consequences. The film is described as a fun, touching and thought-provoking drama about friendship, freedom--and alcohol.—Kenneth Kjær

Another Round

Another Round (2020)

Christian Grashof

Klaus Maria Brandauer

Irén Bordán

Ágnes Bánfalvy

A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supersedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.—Keith Loh

Mephisto

Mephisto (1981)

Giulietta Masina

Richard Basehart

Broderick Crawford

Maria Zanoli

Augusto, Carlo, and Roberto are scam artists who often work together. Middle-age divorced Augusto is the oldest, most seasoned in the business, and the trio's spiritual leader. They either are immune to the notion that most of their victims are not wealthy--most uneducated, rural peasants--or don't care that they make at most a few hundred thousand lira at a time. Each of the three is at a different stage of life, which makes Carlo and Augusto examine what they're doing more critically, each stemming from a specific incident. Roberto, the youngest, still lives solely for the here-and-now and will take any money willingly. Carlo would like to make a living as an artist, hence his nickname of Picasso, if only it would support him, his loyal wife Iris, and their adolescent daughter Silvania. Carlo has told Iris that his frequent absences is in his work as a traveling salesman with Augusto, but she can no longer bury her head in the sand about what he's doing upon a last-minute social evening out with his associates on New Year's Eve. Augusto's examination of his life begins upon a chance encounter with his young-adult daughter Patrizia, whom he had not seen in years and didn't even recognize. Augusto is torn between what his money can afford in getting Patrizia on her feet as she contemplates extending her expensive education, versus being a role model to her.—Huggo

The Swindle

The Swindle (1955)

Brigitte Lin

Eric Tsang

Maria Tung Ling

John Woo

Treasury employee Fatty (Eric Tsang) discovered that bags of used 30 million in Hong Kong Dollars have not been incinerated due to a system error; therefore, he hatches up a plot to grab the doe before they are burned. He seeks his friends Mark (Mark Cheng) and Tomboy (Anglie Leung) to help him with the heist; but, they also enlist actual thief Baldy (Karl Maka), who had just been released from prison, to double the assistance with his thievery skills. But, Baldy wants the money for his own and to share it with love interest Siu-Fung (Paula Tsui). Hot on their trail is a hothead inspector (Ching Wong) and a nun, Sister Maria (Brigitte Lin), who wants to save them for redemption.—Oliver Chu

The Thirty Million Dollar Rush

The Thirty Million Dollar Rush (1987)

Ken Davitian

Matt Bingham

Maria Olsen

Kyle Peck

Suffering amnesia after a mysterious accident, film director Archie Finch pieces together his life with the help of a seeming specter.

Psychopomp

Psychopomp (2020)

Mathieu Amalric

Maria de Medeiros

Jacques Bonnaffé

Marie-Anne Mestre

A discontented Parisian teenager in search of a father with (Mathieu Amalric) and (Fabrizio Rongione) as his, respectively, callous and gentle alternative paternal options, and (Natacha Régnier) as his single mother.

The Son of Joseph

The Son of Joseph (2016)

Catherine Deneuve

Franco Nero

José María Caffarel

Saturno Cerra

When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view.—Gary Dickerson

Tristana

Tristana (1970)

Monique Gabrielle

John Terlesky

Red Sands

Maria Luisa Carnivani

Deathstalker helps Reena the Seer out of a few jams, and she solicits his help for a bigger task. She reveals that she is actually Princess Evie, but the evil sorcerer had her abducted and cloned in order to seize control of the kingdom. Together they travel to the evil sorcerer's stronghold to restore the princess to her rightful position, encountering challenges along the way both from the sorcerer's goons and the fierce Amazon women.—Ed Sutton

Deathstalker II: Duel of the Titans

Deathstalker II: Duel of the Titans (1987)

Francisco Barbeiro

Gonçalo Prudêncio

José Codices

Maria Catarina Sapata

In the end of the 19th century the peasants in Portugal started a courageous struggle for better work conditions. After generations of starving misery, the Carnation Revolution sowed the promise of an Agrarian Reform.

Barbs, Wastelands

Barbs, Wastelands (2017)

Klaus Löwitsch

Rainer Werner Fassbinder

Michael Ballhaus

Hanna Schygulla

This movie follows the life of a young German woman, married to a soldier in the waning days of WWII. Fassbinder has tried to show the gritty life after the end of WWII and the turmoil of the people trapped in its wake.—Neel V Kumar

The Marriage of Maria Braun

The Marriage of Maria Braun (1979)

María Valverde

Juan José Ballesta

Patrick Bauchau

Christian Sampedro

The main character is a nameless boy (Juan Jose Ballesta) who was taught to steal wallets by his absent mother. He is able to do the trick effortlessly, using his "earnings" to survive while he looks for his mom. As he runs into an antique store owner, he might have found a trace that will lead to her. First, however, he will have to pull off a few "jobs" for the store owner, and he can't do it alone: enter a nameless girl (Maria Valverde) who gets to learn all the secret techniques the young boy has been using all his life.—AnonymousB

Thieves

Thieves (2007)

Willem Dafoe

Maria Bello

Michael McKean

Alex Meneses

In 1965, Bob Crane, who had achieved some earlier success as a television supporting actor, was working as a successful morning radio DJ at KNX Los Angeles. Despite enjoying his work, photography (especially of the female form) and drumming, Crane wanted to be a movie star. So it was with some reluctance that he accepted the title starring role in a new television sitcom called Hogan's Heroes (1965), a WWII POW comedy. To his surprise, the show became a hit and catapulted him to television stardom. The fame resulting from the show led to excesses and a meeting with home video salesman and technician John Carpenter, with who he would form a friendship based on their mutual interests, namely excessive sex (for Crane, purely heterosexual sex) and capturing nude females on celluloid. His fame allowed Crane to have as much sex as he wanted, which was incongruent to his somewhat wholesome television friendly image, and the way he portrayed himself to almost everyone except Carpenter and his extramarital sex partners. His sex addiction was somewhat known but ignored by his high school sweetheart/first wife Anne Crane née Terzian, but well known by his second wife, Patti Olson, better known as Sigrid Valdis, his Hogan's Heroes co-star. Especially after the end of Hogan's Heroes in 1971, this incongruence and his friendship with Carpenter, with who he would have a continuing love/hate relationship, would contribute to both his professional and personal downfall.—Huggo

Auto Focus

Auto Focus (2002)

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